Atheology has just put up another post on my interpretation of Deleuze, this time based on my more recent paper ‘Ariadne’s Thread: Temporality, Modality, and Individuation in Deleuze’s Metaphysics’ (available here). It’s a very generous and thorough reading of the paper, in relation to the other things I’ve written about Deleuze on the blog. Though he expresses a certain dissatisfaction with the unfinished character of the essay (it was written for an hour length presentation, and alas, was inevitably consumed by preliminaries) in parallel with his dissatisfaction at the unfinished character of my posts on Deleuze and Sufficient Reason (available here), he also says:
This strikes me as an extremely promising angle of approach and one which could easily yield a book-length treatment, perhaps under the title Ariadne’s Thread: Deleuze and the Song of Sufficient Reason. For me this approach represents tangible progress in the study of Deleuze’s thought.
I can only feel humbled by such praise, and would love to write this book one of these days. Alas, I am stuck in the same position as many of my compatriots, unsure as to which aspects of my work will lead to stable employment, so it’ll have to wait for now. That being said, I do intend to extend the ‘Ariadne’s Thread’ paper for publication at some point, once a few other commitments are out of the way. As such, the comments in Atheology’s post are very helpful and useful. However, there are a number of possible misunderstandings and points that can be addressed quickly, and so I will endeavour to do so here. I’ll try to number the points to keep them brief and organised. Continue reading More Atheology on Deleuze
This post is in many ways long overdue. I received a free copy of Sinead Murphy’s The Art Kettle last year, with the promise that I’d review it. The book made an instant impression on me, but for various reasons (personal and professional) the review went by the wayside. I returned to the book recently with the intention of finally finishing the review and submitting it to the British Postgraduate Journal of Aesthetics. However, I found it even richer than the first time I read it, and the piece quickly spiralled beyond the word limit of a short review (it was meant to be 2000 words, and is now around 6000). Re-reading the book and writing the review has helped me to focus and develop some of the ideas about aesthetics and beauty that I’ve been discussing for a while now, and which I discussed with a number of people at the recent Speculative Aesthetics event in London. It thus contains a brief, but reasonably thorough overview of my more mature thinking on these topics, and may be of interest to those who read this blog.
As such, I’m putting up the current draft for people to read: ‘The Ends of Beauty: Sinead Murphy’s The Art Kettle‘. This should get edited and adapted for publication soon (possibly in Pli, possibly elsewhere), and so comments are thoroughly welcomed. Finally, it should go without saying that I think you should all buy this book. If you’re interested in art-theory, and particularly if you’re fed up of the state of contemporary art, The Art Kettle will stimulate you and give you new theoretical tools to deal with it. Plus, it’s cheap, short, and well written. What’re you waiting for?
This is a very quick post to point people at a new blog called Atheology (now linked in the side bar), which has just put up a post (see here) commenting on my ‘Song of Sufficient Reason’ series of posts on Deleuze and the PSR (see the Important Posts section). That series of posts never got finished for various reasons, the third instalment being lost somewhere along the way. However, a lot of the unresolved threads are picked up in my more recent ‘Ariadne’s Thread’ paper on the overall shape of Deleuze’s metaphysics (see the Other Work section, or the Video section). It’s wonderful to find someone commenting so perspicuously on work I thought everyone had forgotten about (myself included). I look forward to reading more from Atheology on these and other topics as it appears.